𝕊𝕋𝕆ℝ𝕐𝔹𝕆𝔸ℝ𝔻
𝕋𝕙𝕖 𝕗𝕚𝕣𝕖𝕨𝕠𝕣𝕜𝕤 𝕕𝕚𝕕𝕟'𝕥 𝕘𝕠 𝕠𝕗𝕗 𝕓𝕖𝕔𝕒𝕦𝕤𝕖 𝕚𝕥 𝕨𝕒𝕤 𝕒 𝕔𝕖𝕝𝕖𝕓𝕣𝕒𝕥𝕚𝕠𝕟. 𝕋𝕙𝕖𝕪 𝕨𝕖𝕟𝕥 𝕠𝕗𝕗 𝕓𝕖𝕔𝕒𝕦𝕤𝕖 𝕤𝕙𝕖 𝕒𝕣𝕣𝕚𝕧𝕖𝕕. 𝕋𝕙𝕒𝕥'𝕤 𝕙𝕠𝕨 𝕚𝕥 𝕨𝕠𝕣𝕜𝕤, 𝕨𝕙𝕖𝕟 𝕪𝕠𝕦'𝕣𝕖 𝕔𝕒𝕣𝕣𝕪𝕚𝕟𝕘 𝕒 𝕓𝕒𝕘 𝕥𝕙𝕒𝕥 𝕤𝕒𝕪𝕤 ℚ𝕌𝔼𝔼ℕ 𝕚𝕟 𝕓𝕝𝕠𝕔𝕜 𝕝𝕖𝕥𝕥𝕖𝕣𝕤, 𝕤𝕚𝕝𝕧𝕖𝕣 𝕒𝕟𝕕 𝕦𝕟𝕒𝕡𝕠𝕝𝕠𝕘𝕖𝕥𝕚𝕔, 𝕒𝕔𝕣𝕠𝕤𝕤 𝕢𝕦𝕚𝕝𝕥𝕖𝕕 𝕓𝕝𝕦𝕤𝕙 𝕝𝕖𝕒𝕥𝕙𝕖𝕣. 𝕋𝕙𝕖 𝕤𝕜𝕪 𝕕𝕠𝕖𝕤𝕟'𝕥 𝕨𝕒𝕚𝕥 𝕗𝕠𝕣 𝕡𝕖𝕣𝕞𝕚𝕤𝕤𝕚𝕠𝕟. ℕ𝕖𝕚𝕥𝕙𝕖𝕣 𝕕𝕠𝕖𝕤 𝕤𝕙𝕖.
ℍ𝕖𝕣 𝕙𝕒𝕚𝕣 — 𝕔𝕠𝕡𝕡𝕖𝕣 𝕒𝕟𝕕 𝕒𝕞𝕓𝕖𝕣 𝕒𝕟𝕕 𝕥𝕙𝕖 𝕖𝕩𝕒𝕔𝕥 𝕔𝕠𝕝𝕠𝕦𝕣 𝕠𝕗 𝕗𝕚𝕣𝕖 𝕨𝕙𝕖𝕟 𝕚𝕥 𝕕𝕖𝕔𝕚𝕕𝕖𝕤 𝕥𝕠 𝕓𝕖 𝕓𝕖𝕒𝕦𝕥𝕚𝕗𝕦𝕝 𝕚𝕟𝕤𝕥𝕖𝕒𝕕 𝕠𝕗 𝕕𝕒𝕟𝕘𝕖𝕣𝕠𝕦𝕤 — 𝕔𝕒𝕤𝕔𝕒𝕕𝕖𝕤 𝕡𝕒𝕤𝕥 𝕙𝕖𝕣 𝕤𝕙𝕠𝕦𝕝𝕕𝕖𝕣𝕤 𝕒𝕟𝕕 𝕡𝕠𝕠𝕝𝕤 𝕒𝕥 𝕙𝕖𝕣 𝕗𝕖𝕖𝕥 𝕚𝕟 𝕝𝕠𝕟𝕘 𝕤𝕨𝕚𝕣𝕝𝕚𝕟𝕘 𝕒𝕣𝕔𝕤, 𝕒𝕤 𝕥𝕙𝕠𝕦𝕘𝕙 𝕘𝕣𝕒𝕧𝕚𝕥𝕪 𝕙𝕒𝕤 𝕓𝕖𝕖𝕟 𝕣𝕖𝕟𝕖𝕘𝕠𝕥𝕚𝕒𝕥𝕖𝕕 𝕤𝕡𝕖𝕔𝕚𝕗𝕚𝕔𝕒𝕝𝕝𝕪 𝕗𝕠𝕣 𝕙𝕖𝕣 𝕒𝕟𝕕 𝕤𝕖𝕥𝕥𝕝𝕖𝕕 𝕠𝕟 𝕤𝕠𝕞𝕖𝕥𝕙𝕚𝕟𝕘 𝕞𝕠𝕣𝕖 𝕔𝕚𝕟𝕖𝕞𝕒𝕥𝕚𝕔. 𝕋𝕙𝕖 𝕕𝕣𝕖𝕤𝕤 𝕚𝕤 𝕘𝕖𝕠𝕞𝕖𝕥𝕣𝕚𝕔: 𝕡𝕚𝕟𝕜, 𝕥𝕖𝕣𝕣𝕒𝕔𝕠𝕥𝕥𝕒, 𝕠𝕝𝕚𝕧𝕖, 𝕘𝕠𝕝𝕕, 𝕤𝕞𝕒𝕝𝕝 𝕤𝕙𝕒𝕡𝕖𝕤 𝕥𝕙𝕒𝕥 𝕒𝕕𝕕 𝕦𝕡 𝕥𝕠 𝕤𝕠𝕞𝕖𝕥𝕙𝕚𝕟𝕘 𝕞𝕒𝕩𝕚𝕞𝕒𝕝𝕚𝕤𝕥 𝕒𝕟𝕕 𝕕𝕖𝕝𝕚𝕓𝕖𝕣𝕒𝕥𝕖. 𝕋𝕙𝕖 𝕥𝕚𝕘𝕙𝕥𝕤 𝕒𝕣𝕖 𝕒 𝕘𝕣𝕚𝕕. 𝕋𝕙𝕖 𝕠𝕦𝕥𝕗𝕚𝕥 𝕚𝕤 𝕒𝕟 𝕒𝕣𝕘𝕦𝕞𝕖𝕟𝕥. 𝕋𝕙𝕖 𝕒𝕣𝕘𝕦𝕞𝕖𝕟𝕥 𝕚𝕤: 𝕞𝕠𝕣𝕖.
𝕀𝕟 𝕙𝕖𝕣 𝕣𝕚𝕘𝕙𝕥 𝕙𝕒𝕟𝕕, 𝕒 𝕔𝕠𝕗𝕗𝕖𝕖 𝕞𝕦𝕘. ℕ𝕠𝕥 𝕒 𝕢𝕦𝕖𝕤𝕥𝕚𝕠𝕟 — 𝕒 𝕤𝕥𝕒𝕥𝕖𝕞𝕖𝕟𝕥. 𝕀𝕥 𝕣𝕖𝕒𝕕𝕤: 𝔸 ℚ𝕦𝕖𝕖𝕟 𝕚𝕤 ℕ𝕖𝕧𝕖𝕣 𝕃𝕒𝕥𝕖. 𝔼𝕧𝕖𝕣𝕪𝕠𝕟𝕖 𝔼𝕝𝕤𝕖 𝕀𝕤 𝕊𝕚𝕞𝕡𝕝𝕪 𝔼𝕒𝕣𝕝𝕪. 𝕊𝕙𝕖 𝕙𝕠𝕝𝕕𝕤 𝕚𝕥 𝕥𝕙𝕖 𝕨𝕒𝕪 𝕡𝕖𝕠𝕡𝕝𝕖 𝕙𝕠𝕝𝕕 𝕥𝕙𝕚𝕟𝕘𝕤 𝕥𝕙𝕖𝕪 𝕓𝕖𝕝𝕚𝕖𝕧𝕖 𝕚𝕟 𝕔𝕠𝕞𝕡𝕝𝕖𝕥𝕖𝕝𝕪. 𝕎𝕙𝕚𝕔𝕙 𝕚𝕤 𝕥𝕠 𝕤𝕒𝕪: 𝕒𝕥 𝕔𝕙𝕖𝕤𝕥 𝕙𝕖𝕚𝕘𝕙𝕥, 𝕗𝕒𝕔𝕚𝕟𝕘 𝕠𝕦𝕥𝕨𝕒𝕣𝕕, 𝕖𝕟𝕥𝕚𝕣𝕖𝕝𝕪 𝕧𝕚𝕤𝕚𝕓𝕝𝕖, 𝕦𝕟𝕒𝕤𝕙𝕒𝕞𝕖𝕕.
𝔹𝕖𝕙𝕚𝕟𝕕 𝕙𝕖𝕣, 𝕥𝕙𝕖 𝕨𝕠𝕣𝕝𝕕 𝕙𝕒𝕤 𝕕𝕣𝕖𝕤𝕤𝕖𝕕 𝕗𝕠𝕣 𝕥𝕙𝕖 𝕠𝕔𝕔𝕒𝕤𝕚𝕠𝕟. 𝔽𝕝𝕠𝕨𝕖𝕣𝕚𝕟𝕘 𝕥𝕠𝕨𝕖𝕣𝕤 𝕠𝕗 𝕡𝕚𝕟𝕜 𝕒𝕟𝕕 𝕣𝕖𝕕 𝕓𝕝𝕠𝕠𝕞 𝕒𝕘𝕒𝕚𝕟𝕤𝕥 𝕥𝕙𝕖 𝕕𝕒𝕣𝕜 𝕤𝕜𝕪. 𝕊𝕥𝕣𝕖𝕖𝕥 𝕝𝕒𝕟𝕥𝕖𝕣𝕟𝕤 𝕔𝕒𝕤𝕥 𝕘𝕠𝕝𝕕 𝕒𝕝𝕠𝕟𝕘 𝕒 𝕔𝕠𝕓𝕓𝕝𝕖𝕤𝕥𝕠𝕟𝕖 𝕡𝕒𝕥𝕙 𝕥𝕙𝕒𝕥 𝕤𝕥𝕣𝕖𝕥𝕔𝕙𝕖𝕤 𝕓𝕒𝕔𝕜 𝕥𝕠𝕨𝕒𝕣𝕕 𝕒 𝕙𝕠𝕣𝕚𝕫𝕠𝕟 𝕞𝕒𝕕𝕖 𝕖𝕟𝕥𝕚𝕣𝕖𝕝𝕪 𝕠𝕗 𝕝𝕚𝕘𝕙𝕥. 𝕊𝕠𝕞𝕖𝕨𝕙𝕖𝕣𝕖 𝕚𝕟 𝕒𝕝𝕝 𝕠𝕗 𝕥𝕙𝕚𝕤, 𝕥𝕙𝕖 𝕗𝕚𝕣𝕖𝕨𝕠𝕣𝕜𝕤 𝕜𝕖𝕖𝕡 𝕘𝕠𝕚𝕟𝕘 — 𝕣𝕖𝕕, 𝕘𝕠𝕝𝕕, 𝕓𝕦𝕣𝕤𝕥𝕚𝕟𝕘 — 𝕟𝕠𝕥 𝕓𝕖𝕔𝕒𝕦𝕤𝕖 𝕒𝕟𝕪𝕠𝕟𝕖 𝕝𝕚𝕥 𝕒 𝕗𝕦𝕤𝕖, 𝕓𝕦𝕥 𝕓𝕖𝕔𝕒𝕦𝕤𝕖 𝕥𝕙𝕖 𝕦𝕟𝕚𝕧𝕖𝕣𝕤𝕖 𝕜𝕟𝕠𝕨𝕤 𝕙𝕠𝕨 𝕥𝕠 𝕣𝕖𝕤𝕡𝕠𝕟𝕕 𝕥𝕠 𝕒𝕟 𝕖𝕟𝕥𝕣𝕒𝕟𝕔𝕖.
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